There’s been a particular theme running through our household
all week. Nobody can find their phone charger. Everybody is quietly taking everyone
else’s when they’re not looking. Somebody has a charger cord but somebody else took
their brick. There’s a cord for an iPhone 6 but not the Android. Somebody needs
an old-style iPad cord. Somebody’s ex left their charger and needs it back. The
transformer strip in the kitchen isn’t working and things that were supposed to
be charging aren’t. Some people aren’t responding to their messages because their
phone is dead, and some people’s mother is getting really mad about it.
By Friday afternoon it had reached something of a low-grade fever
pitch, with the added insult of the wi-fi blinking in and out and compromising
everybody’s ability to get their particular tasks done – and most importantly (for
me), compromising Drew’s ability to finish his work on the computer so we could
get started on our afternoon adventure.
But finally about 3:00, start we did. Fortunately, we didn’t
have to go far to get completely away from the pressure of all this new-fangled
technology breathing down our necks. Or at least to an older version of it.
Just up the street a couple miles is the “Creative
Enterprise Zone,” the western-most section of St. Paul's University Avenue corridor that’s
remaking its industrial past into something of a steam-punk future. From the
post-Civil War years until the mid-1900s, this was one of American’s largest industrial
and commercial freight areas, with a convergence of rail terminals servicing
nine separate freight lines. Today there’s growing local interest in transforming
this heavy industrial heritage into a lively mixed-use residential and business
district, with a focus on becoming a place where people make a living by their often
intensely old-school creative capacities.
One of the very best examples of this was in action today at
a place called Studio On Fire, which was hosting a Grand Opening and
Steam Roller Print Fair.
We Love St. Paul
Celebrating their recent move to Saint Paul, Studio on Fire is
a young company that specializes in the aging art of pressure-based printing. Letterpress,
foil stamping, engraving, all done to the highest standards of the craft for
agencies and clients around the world.
The place is filled with the smell of
ink and metal, and the shiny black and chrome beauty of a dozen old Heidelberg
presses from the 40s and 50s.
We peer up close at gold ink getting ready to go on an embossing press, and I take a turn running off a hand-cranked sheet-fed poster to take home.
But the title draw was the steamroller printing happening outside. Large hand-carved wooden letters were laid out on the ground and inked with a giant squeegee. The letters were covered with a white sheet, then a layer of carpet padding, then a sheet of plywood. Along comes the steamroller, and VOILA!
The kids and young
adults who participated in the process got a first-hand, larger-than-life lesson
in how the printing process works at its most basic level. And it didn't require a USB port or charger.
Raymond Avenue Revival
Hungry for a late lunch, we wandered down the block to
Raymond Avenue, where a cluster of sweet shops, restaurants, and local businesses perches
on the far western edge of St. Paul.
Drew browses his latest favorite vinyl store, Barely Brothers Records, and I buy some new old table linens at the mid-century modern vintage shop Succotash. We settle
on Foxy Falafel for lunch, which is cool and dimly quiet inside in
contrast to the hot humid day outside.
After lunch we walk past the original Key’s family
restaurant, past the hardware store that’s been there since 1920, past the
neon-lit Sharrett’s Liquors, and up University Avenue a block to one of my
favorite haunts, Twin Cities Reptile.

And now for something
completely different: Tarzan the Musical
Last but definitely not least, we capped off our day’s
adventure by seeing my son Spencer perform in Tarzan the Musical with the Highland Park Community Theater. It was
a beautiful night out at Como Pavilion, and he did a great job playing Tarzan’s
father (briefly and tragically), plus rocked the ensemble with his interpretive
plant dancing.
Love that kid and his enjoyment of the performing arts. Even if he can’t keep his phone charged.
What a day, Maiya! I didn't love the missing phone chargers, but everything else looked fantastic, winding up with Spencer onstage. Love!
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